Dating psychos complaints
There, the camera pauses at the half-open window - and then voyeuristically intrudes into the foreground darkness of the drab room. It's a hot, Friday afternoon [although December, it undoubtedly looks like a summer day] and they are obviously in the midst of a "secretive" affair in Room No. She loves Sam but they can only furtively see each other during his business trips.
The camera takes a moment to adjust to the black interior - and then pans to the right where a post-coital, semi-nude couple have just completed a seedy, lunch-time tryst. Sam has flown in from a small town in California to see Marion - and "steal lunch hours." As she rises to dress and cover up her ample breasts, they discuss further difficulties in their fitful relationship (characterized as more sexual than intimate).
This film wasn't clearly understood by its critics when released.
Hitchcock admitted that Henri-Georges Clouzot's influential thriller Les Diaboliques (1955, Fr.) inspired his film.
Marion Crane becomes a secondary Mac Guffin after her murder.The bleak, monochrome film is made more effective by Bernard Herrmann's sparse, but driving, recognizable score, first played under the frantic credits (by industry pioneer Saul Bass) - shown with abstract, gray horizontal and vertical lines that streak back and forth, violently splitting apart the screens and causing them to disappear.The frenetic lines appear as prison bars or vertical city buildings.We also use this information to show you ads for similar films you may like in the future.Like Oath, our partners may also show you ads that they think match your interests.